[…] Isabel Marcos focused on the concept of softness as an antithesis of architecture, proposing gentleness and fragility as resistance strategies and spaces of critical thinking. The recording accompanying the work says: “A drop in a full bucket is a member. A droplet on a dry surface is a dome.” Concentrating on the notion of water, which in the operating theatre can be perceived from an organic or environmental perspective, the artist confronts the softness and fluidity of the human body with the rigid structures it occupies. […]
Małgorzata Miśniakiewicz: Concealed. In: Art Reviev SURVIVAL 17. Catalogue, Wrocław 2019, p. 50-51.
photo: Małgorzata Kujda